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Sasa Marinkov
Relief Prints
“Cutting wood is for me a way of defining an idea and often literally carving out a route. My subjects are of the city or man-made and natural landscapes, with an emphasis on the transitory, as in the idea of journeys undertaken.
The appeal of the physical nature of the cutting action and of working with a resistant material to produce hard-edged and sometimes fractured lines can be a more dynamic activity than using a pencil or a paint brush. In the relief process, cut lines produce the negative (white) which are gouged out of the solid mass (black). I like exploring this expressive language in a dialogue between the positive and the negative. My large woodcut images are hand-burnished from sheets of plywood onto Japanese papers, using a wooden spoon to offset the oil based inks. I also like to cut lino and vinyl. Woodcut is the oldest form of printmaking and yet to me still seems relevant because of its immediate and dynamic effects.”
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